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Thursday, October 15, 2026
Luckra Ventures Blog

Game Review: Sleaford Mods' Jason Williamson Takes On Character in Sceptical Look at Ecstasy Generation Era

Produced by Bristol sound co-founder the musician-producer, this scabrous if undernourished debut feature turns a sceptical eye on 90s rave culture. Self-serving drug user David (Marc Bessant) first robs an passed-out supplier, then in a later recollection tries to break into his own family home. Before you can say, he's upside down in the wreckage of his car in a woodland – and subject to the angry eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with no time for city dwellers, he is broken Britain personified: “You’re one of those loud individuals from up on the heath.”

A Shaky Start and Grimly Amusing Duel

The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to free himself from his safety harness, while clumsily segueing into flashbacks of his normal activities. The bigger point – that the ecstasy generation were mainly focused on number one – is clearly conveyed. But these brief episodes are insufficiently developed to properly prime us for what to expect when the Poacher arrives, fuming after David strangles his dog. Still, a darkly funny duel unfolds – David eager to get away; the Poacher withholding his jerrycan of cider, intent on dousing him instead in embittered discourse. Williamson, projecting heavy threat in the role, is evocative of Michael Smiley.

Visual Flair and Music Video Vibe

Just a single important plot development, but it results in a hilariously staged chaotic run on the woodland paths that dips close to folk horror. Filmmaker John Minton at last unleashes with his ostentatious visuals: where he was hunkered down doing artful shots of insects in the light in the early stages, he now lets rip with the full psychedelic grand display, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an elongated music video than a complete narrative, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into successfully graduating from the UK video industry.

The film releases in British and Irish cinemas from 17 November.

AB
The writer

Amy Bryant

A seasoned venture analyst with over a decade of experience in UK tech startups, specializing in growth strategies and market trends.

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